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He just couldn’t believe people liked his music.” If anyone recognized him while we were out, he was always thrilled. The true test was if the bass made the car rattle, then it was okay. “He’d record something and then we’d drive around Long Beach in our Bronco and he had a huge system with huge speakers and he’d blast the songs over and over and mess with the buttons until it sounded right. “He’d be like, ‘Do you think they’ll like this song?’ and that was one of the sweetest things about him, is that he was just so real,” she said. As the record nearing completion, Dendekker said Nowell was still questioning whether anybody would like his music. He had stuff written, notes on random pieces of paper, but he wrote those songs there.”Īfter spending time in Texas, the band put the finishing touches on the album at Total Access Recording in Redondo Beach. A lot of those songs Bradley wrote there in the studio.
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Paul Leary, he was a serious guy he didn’t let them and they all had so much respect for him. “It was their first grown-up experience in a legit studio that they didn’t have to sneak into or piece together. “That was the most focused I had ever seen Bradley,” Dendekker said, though Nowell’s drug addiction was steadily worsening.
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Sublime hunkered down inside country legend Willie Nelson’s Pedernales Studio in Texas with producers David Kahne and Paul Leary. After KROQ began spinning the single “Date Rape” in regular rotation in 1995, MCA took notice and signed the band. to Freedom” in 1992 and “Robbin’ the Hood” in 1994, through its own Skunk Records label founded by Nowell and longtime friend Michael Happoldt.
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But hey, we weren’t doing anything bad we were just having a good time.” “They ended up having to climb over a neighbor’s back fence to shut us down. “One backyard party, there was a half-pipe and when the cops came the guys just kept on skating and we were able to keep playing because we were behind the half-pipe and the cops couldn’t unplug us,” he recalled. It was never difficult for Sublime to find a backyard party to play and Gaugh said those were some of his fondest memories. Sublime eventually went on to play established venues like House of Blues Hollywood and even did a stint on the Vans Warped Tour, where the band’s beloved Dalmatian mascot, Lou Dog, bit skaters and got them in trouble. If the music makes you feel something, it’s good music.” “People would say, ‘What kind of music do you like?’ Well, good music! I like punk, jazz, hip-hop and funk. “We couldn’t get a decent gig in Hollywood, because you couldn’t put us in a box,” he said. Once they pooled their influences and began sampling songs on their own records, Gaugh said it was difficult to book shows because promoters couldn’t categorize the band. When the pair met Nowell several years later, Wilson said he was the one that introduced them to reggae, roots, ska, Two-Tone and hip-hop music. Two months before the album was released, 28-year-old vocalist-guitarist Bradley Nowell died of a drug overdose while on tour in San Francisco, leaving behind the band, his wife Troy Dendekker and their 11-month old son, Jakob. I don’t know if at the time they knew how timeless these songs were going to be.”įor the band and those close to it, Sublime’s breakthrough success also came at a time of great tragedy. It sounds like we should be going to the beach. That band, that album cover, these songs … they are stronger than ever and they still, 25 years later, feel so fresh. “What did we know? We were a bunch of young idiots, but it was obvious that this band was going to be something great. “I vividly remember sitting with my co-workers at the radio station in Tuscon, Arizona when we first heard ‘What I Got,’ and we were like, ‘Wow, this is going to be huge,’” former KROQ DJ Ted Stryker said during a recent phone interview. It went on to sell over 18 million copies worldwide, spawning several singles including “What I Got,” “Santeria,” “Wrong Way” and “Doin’ Time.” The album was popular on both radio and MTV, thanks to an eclectic sound that intertwined elements of punk, ska, reggae, funk and hip-hop, as well as samples from artists like Bob Marley, George Gershwin, The Specials and The Who. On July 30, 1996, Sublime released its self-titled mainstream debut on MCA Records.Īlthough the Long Beach band had already put out two independent albums prior to this one, “Sublime” was different.